1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | Kids lunch | the flowered dress | Weil lady and her children | Orange girl clothes | Portrait of Toulouse Lautrec |
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Eilif Peterssen
1852-1928 was a Norwegian painter. He attended the of Fredrik Eckersberg in Kristiania (now Oslo) in 1866 and 1870. After that, he studied painting briefly with Knud Bergslien at the Johan Fredrick Eckersberg School of Painting and left to go abroad in 1871. He studied at the School of Art of Copenhagen; in Karlsruhe (1871?C1873), where he was a student of Hans Gude; and, together with Hans Heyerdahl, in Munich under Wilhelm von Diez. He then studied in London, Paris, and Italy. After these travels, he returned to Norway and settled in Bærum. He made his debut at the Høstutstillingen (Autumn Exposition) in Kristiania in 1882. He was a profound connoisseur of European art and was later associated groups such as Lysaker, the painters of Fleskum and those of Skagenpainters, as well as with individual artists like August Eiebakke, Kitty Kielland and Harald Oskar Sohlberg. In Norway, he is also known as the designer of the coat of arms of Norway, adopted when the country separated from Sweden in 1905 to become an independent country. This version was used for official government purposes until 1937, when it was replaced by a new version. Nonetheless, Peterssen's design is still used for the royal coat of arms and for the royal flag. In addition to his canvasses, he collaborated on the decoration of the Tourist Hotel in Holmenkollen in 1889. In the same year, he painted the murals "The Wanderers of Emmaus" in the Church of Tanum in Bærum and "Jesus in the Garden of Gethsemane" in the Church of the Cross, Bergen.
Carlo Pittara
Italian, 1836-1890
COURTOIS, Jacques
French Baroque Era Painter, 1621-1676 was a French painter. He was born at Saint-Hippolyte, near Besançon. His father was a painter, and with him Jacques remained studying up to the age of fifteen. Towards 1637 he went to Italy, was received at Milan by a Burgundian gentleman, and entered, and for three years remained in the French military service. The sight of some battle-pictures revived his taste for fine art. He went to Bologna, and studied under the friendly tutelage of Guido Reni; thence he proceeded to Rome, where he painted, in the Cistercian monastery, the "Miracle of the Loaves." Here he took a house and after a while entered upon his own characteristic style of art, that of battle-painting, in which he has been accounted to excel all other old masters; his merits were cordially recognized by the celebrated Cerquozzi, named Michelangelo delle Battaglie. He soon rose from penury to ease, and married a painter's daughter, Maria Vagini; she died after seven years of wedded life. Prince Matthias of Tuscany employed Courtois on some striking works in his villa, Lappeggio, representing with much historical accuracy the princes military exploits. In Venice also the artist executed for the senator Sagredo some remarkable battle-pieces. In Florence he entered the Society of Jesus, taking the habit in Rome in 1655; it was calumniously rumoured that he adopted this course in order to escape punishment for having poisoned his wife. As a Jesuit Brother, Courtois painted many works in churches and monasteries of the society. He lived piously in Rome, and died there of apoplexy on 20 May 1676 (some accounts say 1670 or 1671). His battle-pieces have movement and fire, warm colouring (now too often blackened), and great command of the brush, those of moderate dimensions are the more esteemed. They are slight in execution, and tell out best from a distance.